HIM (2025)

Reading Time: 6 minutes

Release Date	September 19, 2025 (USA)
Director	Justin Tipping
Distributed By	Monkeypaw Productions
Writers	Justin Tipping, Skip Bronkie, Zachary Akers
Cast	Marlon Wayans, Tyriq Withers, Julia Fox
Runtime	1 hour 36 minutes
Age Rating	R
Genre	Horror Thriller Sports
Budget	$15 Million (Estimated)

Review:

What happens when the person you idolize becomes your worst nightmare? This haunting question forms the backbone of "Him," a spine-chilling psychological horror that transforms the American football field into a theater of terror. Director Justin Tipping delivers a masterclass in atmospheric dread, proving that sometimes our greatest heroes harbor our darkest fears. Cameron Cade (Tyriq Withers) represents every young athlete's dream – a rising quarterback with unlimited potential until a vicious attack by an obsessed fan threatens to end everything. When legendary quarterback Isaiah White (Marlon Wayans) extends an invitation to train at his secluded compound, Cameron sees salvation, but what he discovers instead is a twisted mentorship that challenges everything he believed about greatness, sacrifice, and the price of glory.

The film's genius lies in its gradual revelation of horror, as Tipping masterfully builds tension through seemingly innocent training sessions that slowly morph into psychological warfare. The isolated compound becomes a character itself – a fortress of broken dreams where the line between dedication and obsession dissolves completely. Jordan Peele's influence as producer is unmistakable, with "Him" carrying the same DNA of social commentary wrapped in horror that made "Get Out" and "Us" cultural phenomena, yet this film carves its own terrifying identity in the sports world. Marlon Wayans delivers a career-defining performance that will leave audiences questioning everything they thought they knew about the beloved comedian-turned-serious actor, navigating the complex transformation from mentor to monster with surgical precision.

Wayans' portrayal of Isaiah White begins as the perfect role model: wise, encouraging, and genuinely invested in Cameron's success, but as the film progresses, subtle cracks appear in his facade – a lingering stare, an overly aggressive training drill, a comment that cuts too deep. By the time his true nature emerges, audiences realize they've been watching a predator in plain sight. Tyriq Withers matches this intensity with a nuanced portrayal of vulnerability and determination, expertly conveying the internal struggle between gratitude and growing unease that drives the film's emotional core. Cinematographer Kira Kelly creates a visual language that mirrors the protagonist's psychological journey, with the compound's initially welcoming spaces gradually becoming claustrophobic prisons through clever use of lighting and framing.

The film's sound design deserves special recognition – the constant thud of helmets colliding, the whistle of wind across empty fields, and the echo of Isaiah's voice in vast training rooms create an auditory landscape of dread. "Him" succeeds because it's not just about scares – it's about society, serving as a scathing indictment of how we worship athletes while ignoring the human cost of their success. The film explores themes of toxic masculinity, hero worship, and dangerous power dynamics, using the football setting as the perfect metaphor for a culture that celebrates violence, demands absolute loyalty, and sacrifices individuals for collective entertainment. Tipping uses this backdrop to examine how easily mentorship can become manipulation, and how the pursuit of greatness can justify almost any transgression.

Without spoiling the film's devastating conclusion, "Him" builds to a finale that feels both inevitable and shocking, with the final confrontation between Cameron and Isaiah serving as both a physical and psychological battle that will leave audiences breathless. The resolution provides satisfying closure while leaving enough ambiguity to fuel post-viewing discussions, and the film's final images linger long after the credits roll. This isn't a film that relies on cheap jump scares or gore – it's sophisticated horror that trusts its audience's intelligence, with terror coming from recognition of how easily good intentions can be weaponized against us. "Him" is a masterfully crafted psychological horror that delivers both genuine scares and meaningful social commentary, appealing to horror enthusiasts who will appreciate its psychological complexity and sports fans who will recognize the authentic portrayal of football culture, making it a must-watch despite minor pacing issues. Experience the terror that's redefining sports horror. "Him" – Now playing in theaters nationwide!

Ready to Face Your Fears?  Isaiah: "You want to be great, don't you, Cameron?" Cameron: "Yes, sir." Isaiah: "Then you'll do exactly as I say... no matter what."

Disclaimer: This review contains no major spoilers. "Him" is rated R for intense sequences, violence, and disturbing themes. Viewer discretion advised.

Where to Watch: Now playing in theaters nationwide | Coming to digital platforms October 2025

The Roses

Read Time: 8 minutes

Movie Details	Information
Release Date	August 29, 2025 (USA)
Director	Jay Roach
Distributed By	SEARCHLIGHT PICTURES
Writers	Tony McNamara (Screenplay), Warren Adler (Story)
Cast	Olivia Colman, Benedict Cumberbatch, Kate McKinnon, Andy Samberg
Runtime	1h 45m
Age Rating	R (Strong Language, Sexual Content, Adult Themes)
Genre	Comedy/Drama
Budget	$45 Million (estimated)

There's something deeply unsettling about watching a perfect marriage implode in real-time, especially when it's this entertaining. The Roses doesn't just show us the death of love—it makes us complicit observers in one of the most savage yet hilarious breakups ever captured on screen. What starts as a tender romance between two creative souls quickly morphs into a psychological warfare that would make Gone Girl look like a romantic comedy. Director Jay Roach has crafted something genuinely rare: a film that makes you laugh while simultaneously making your skin crawl.

Powerhouse Performances: Olivia Colman and Benedict Cumberbatch don't just act opposite each other—they devour each other with every scene, creating a magnetic chemistry that's equal parts intoxicating and terrifying.

The genius of Tony McNamara's screenplay lies in how it presents Theo and Ivy Rose as genuinely likeable people whose love story feels authentic from their very first meeting. When we see Cumberbatch's ambitious architect and Colman's gifted chef sparring over a disastrous business dinner, their connection feels electric—you root for them immediately. The film wisely takes its time establishing their domestic bliss: Ivy crafting elaborate desserts that mirror Theo's architectural designs, family dinners filled with genuine laughter, and those small intimate moments that define real partnerships. This isn't some contrived setup for inevitable conflict; these are two people who actually belong together, which makes their eventual destruction all the more devastating.

The catalyst for their downfall arrives in the form of a literal storm that destroys Theo's career-defining project while simultaneously launching Ivy's restaurant empire. What follows is a masterful exploration of how success and failure can poison even the strongest relationships. Cumberbatch delivers his most vulnerable performance in years as Theo transforms from confident breadwinner to bitter house-husband, his wounded pride manifesting in increasingly passive-aggressive behavior. Meanwhile, Colman—who somehow manages to be both sympathetic and infuriating—navigates Ivy's guilt over her success and growing resentment toward Theo's inability to genuinely celebrate her achievements. The role reversals feel organic rather than contrived, and both actors find the humor in their characters' flaws without making them caricatures.

Dark Comedy Gold: The film's biggest strength is its refusal to pick sides. Both Theo and Ivy are right, both are wrong, and both are absolutely terrible to each other in ways that feel disturbingly plausible.

Roach demonstrates remarkable tonal control as the film shifts from romantic comedy to domestic thriller. The dinner party sequence alone—where the couple's barely contained hostility finally erupts in front of their horrified friends—is worth the price of admission. Kate McKinnon and Andy Samberg, as the couple's well-meaning friends, provide perfect outsider perspectives, their discomfort mirroring our own as we watch two people we care about systematically destroy each other. The supporting cast, including scene-stealing turns by Ncuti Gatwa and a perfectly timed Allison Janney cameo, adds layers without ever overshadowing the central dynamic.

What sets The Roses apart from other marital comedies is its willingness to go genuinely dark. This isn't Mr. & Mrs. Smith with its glamorous violence or The Break-Up with its sanitized relationship drama. When Theo and Ivy decide to destroy each other, they commit fully, using their intimate knowledge of each other's weaknesses as weapons. The house—Theo's architectural masterpiece funded by Ivy's success—becomes both symbol and battleground, each room holding memories they're now desperate to weaponize. The production design by Mark Ricker creates a space so beautiful you understand why they'd rather destroy each other than give it up.

The film's third act ventures into territory that will either thrill or disturb audiences, depending on their tolerance for relationship horror. Without spoiling the specifics, let's just say that Roach and McNamara have crafted an ending that's simultaneously shocking and inevitable. The final twenty minutes contain some of the most audaciously dark comedy I've seen in years, culminating in a conclusion that redefines the entire relationship we've been watching. It's the kind of ending that will have couples walking out of theaters in stunned silence, suddenly hyperaware of their own relationship dynamics.

The Roses is that rare beast: a comedy that earns its darkness and a relationship drama that never forgets to be entertaining. Colman and Cumberbatch deliver career-defining performances in a film that understands love and hate are often separated by the thinnest of margins. It's funny, disturbing, beautifully crafted, and absolutely not a date movie—unless you and your partner enjoy psychological horror disguised as romantic comedy.

"You know what I love most about our marriage?"

"What's that, darling?"

"That it's almost over."

Ready for the most beautifully toxic love story of the year? The Roses blooms with thorns that'll leave you bleeding—and somehow wanting more. Some marriages are made in heaven. This one was forged in hell, and it's absolutely mesmerizing to watch.

Relay

Read Time: 6 minutes

Movie Details	Information
Release Date	August 22, 2025 (USA)
Director	David Mackenzie
Distributed By	Bleecker Street
Writers	Justin Piasecki
Cast	Riz Ahmed, Lily James, Sam Worthington, Victor Garber
Runtime	1h 52m
Age Rating	R (Language, Violence, Thematic Content)
Genre	Thriller/Suspense
Budget	$12 Million (estimated)

Review:

There’s an unsettling realism that pulses through “Relay,” beyond its immaculate direction and gripping performances. Director David Mackenzie steers us into a present-day labyrinth where secrets and surveillance go hand in hand, and a supposedly straightforward case of corporate corruption morphs into a multi-layered battle of wits neither side can easily win. It’s the rare thriller where even the quietest exchanges feel loaded with consequence.

If you expect another paint-by-numbers corporate drama, prepare to be surprised. Riz Ahmed plays Ash, a fix-it man who keeps the dirtiest deals—and the cleanest hands—by brokering hush-hush arrangements between whistleblowers and those who most want them silenced. His work is anonymous, efficient, and—until now—never personal.

That changes when Lily James’ Sarah Grant seeks his help with evidence that could bring ruin to a powerful bioengineering corporation. Unlike Ash’s usual clients, Sarah is in genuine danger and the stakes far eclipse profit or reputation; lives hang in the balance, and both are forced to play a dangerous game with rules that change by the minute.

What sets “Relay” apart isn’t high-octane action, but how it wrings every ounce of suspense from the digital age’s most mundane tools—phones, emails, anonymous messages. The chemistry between Ahmed and James, even when they’re separated by screens, roots the story in authentic human desperation and hope. Supporting turns by Sam Worthington and Victor Garber further raise the stakes, adding corporate menace and unsettling calm to the mix.

Visually tight and sonically innovative, Relay never spoon-feeds the audience. The script trusts us to catch up and dig into modern paranoia, making every notification or overheard conversation a possible pivot point. This is a story that refuses easy answers, but whose tension and relevance will stick with you long after the last coded message is sent. This is the kind of movie that will have you checking your phone differently and thinking twice about what information you share online. In other words, it's exactly the kind of thriller we need right now.

Ash: "The system only works if everyone follows the rules."

Sarah: "What happens when the rules are designed to protect the wrong people?"

Ash: "That's when things get interesting."

Ready to get your heart racing? "Relay" is the thriller you didn't know you needed. Trust me, you'll be thinking about this one long after the credits roll.

Nobody 2

Read Time: 5 minutes

Movie Details	Information
Release Date	August 22, 2025 (India)
Director	Timo Tjahjanto
Distributed By	Universal Pictures
Writers	Derek Kolstad, Aaron Rabin
Cast	Bob Odenkirk, Connie Nielsen, Christopher Lloyd, Sharon Stone, Colin Hanks
Runtime	1h 29m
Age Rating	R (Violence, Language)
Genre	Action/Thriller
Budget	$25 Million

REVIEW:

Nobody 2 doesn’t try to shock you the same way the original did, and honestly, that’s a smart move. This sequel swaps out the surprise for something just as fun—a wild, brutally funny family adventure that never takes its foot off the gas. Director Timo Tjahjanto delivers stylish, hard-hitting violence with bursts of dark humor, making you laugh and wince, sometimes in the same moment.

Bob Odenkirk slides back into Hutch Mansell’s blood-soaked shoes, but this time he’s not hiding his past from his family. Trying to pay off a massive debt, Hutch takes his wife and kids to Plummerville for a supposed escape, but trouble seems to find him no matter where he goes. Their “normal” vacation quickly spirals into chaos thanks to shady sheriffs, criminal kingpins, and the town’s twisted theme park—a perfect recipe for mayhem.

What gives Nobody 2 its kick is how it juggles gnarly action with real family comedy. Watching Hutch agonize over parental advice right before dishing out vigilante justice is a strange but hilarious treat. Odenkirk is as believable a super-dad as he is a ruthless assassin, and Connie Nielsen’s Becca brings heart to the chaos, grounding the family in every scene. Even Christopher Lloyd, back as Hutch’s dad, brings a sly twinkle to the violence—proof that he’s still got it.

Sharon Stone is a scene-stealer as the villain Lendina, sashaying through her role with a wicked gleam and going toe-to-toe with Hutch whenever she can. The movie’s best moments come from its madcap fight sequences—imagine John Wick at a carnival, with more slapstick and even sharper one-liners. At just 89 minutes, the film is slick, sharp, and never wastes a beat.

If there’s anything to nitpick, it’s that some of the deeper family themes feel rushed and the movie sometimes tiptoes around fully embracing its own brand of parody. Still, Nobody 2 is a satisfyingly wild ride that knows exactly what kind of crowd-pleaser it is. It’s no reinvention, but it’s a fast, bloody, and oddly heartfelt sequel that proves Odenkirk is here to stay as everyone’s new favorite reluctant action hero.Hutch: "I thought we were going on a nice, quiet family vacation."

Why settle for sightseeing when you can watch a vacation turn into an all-out brawl? Nobody 2: the only family movie where dad’s souvenir is a trail of chaos. Catch it on the big screen… parental guidance hilariously unadvised.

Weapons (2025)

Read Time: 4 minutes

Movie Details	Information
Release Date	August 8, 2025 (India)
Director	Zach Cregger
Distributed By	Warner Bros. Pictures
Writers	Zach Cregger
Cast	Julia Garner, Josh Brolin, Alden Ehrenreich, Austin Abrams, Benedict Wong
Runtime	2h 8m
Age Rating	CBFC: A (Adults Only)
Genre	Horror/Mystery
Budget	$25 Million (estimated)

Review:

Zach Cregger’s Weapons grips you from the very first scene and never lets go. Following his breakout horror Barbarian, Cregger delivers a chilling, deeply unsettling mystery where terror seeps into every frame. The premise is simple yet haunting: at exactly 2:17 AM, seventeen children from the same classroom vanish, walking out of their homes in eerie unison, arms outstretched like they’re about to take flight. Grainy doorbell footage is all the community has — and what it reveals is more disturbing than reassuring. Soon, grief curdles into suspicion, turning neighbors against each other in a suburban nightmare.

Julia Garner is magnetic as Justine Gandy, the children’s teacher, unfairly cast as the community’s prime suspect. Her portrayal of quiet agony under public scorn is riveting, especially in the harrowing moment she enters her empty classroom. Josh Brolin’s Archer Graff, a grieving father, matches that raw energy with a layered performance that lays bare the desperation and rage lurking beneath sorrow. Together — alongside Alden Ehrenreich and Benedict Wong — the ensemble breathes life into a town unraveling under the weight of unanswered questions.

Told in interwoven chapters, the narrative peels back the story from multiple perspectives, revealing hidden truths and secret motives. This puzzle-box structure could have felt gimmicky, but here it enriches the mystery and mirrors the fractured state of the community. Cinematographer Larkin Seiple’s lens heightens the paranoia — every street looks like a crime scene, every home a possible trap — while the sound design twists everyday noises into weapons of dread.

Refusing to spoon-feed explanations, Weapons runs on atmosphere, tension, and the fear of the unseen. It’s a horror film that understands the scariest monsters are often the ones we imagine — or create ourselves. The final act is both shocking and haunting, cementing Cregger as one of today’s most daring genre storytellers.

Justine: “Sometimes the worst monsters are the ones we create when we’re too scared to face the truth.”
Archer: “Then what does that make us?”

Ready to face your fears? "Weapons" is now playing in theaters. Watch it... if you dare.

The Naked Gun (2025)

Read Time: 4 min

Release Date	1 August 2025
Director	Akiva Schaffer
Distributed By	Paramount Pictures
Writers	Dan Gregor, Doug Mand, Akiva Schaffer
Cast	Liam Neeson, Pamela Anderson, Paul Walter Hauser, Kevin Durand, Danny Huston
Runtime	1h 25m
Age Rating	A
Genre	Comedy / Action
Budget	$42 million

Review

At a time when big-screen comedies seem as rare as an honest cop, The Naked Gun storms back—and it’s packing enough gags to make your popcorn fly. Akiva Schaffer, with a sharp eye for the absurd, revives the spoof franchise by casting Liam Neeson as Detective Frank Drebin Jr., a lawman whose greatest weapon might just be his complete lack of self-awareness. This isn’t just a loving wink to the ‘80s classic—it’s a full-speed slapstick tornado, as delirious as it is tightly constructed.

From the first scene (involving a literal "plot device"), it’s clear: story takes a back seat to relentless comedy. Neeson, stoic yet utterly ridiculous, captures every inch of the Drebin legacy—not by parodying Leslie Nielsen’s beloved schtick, but by doubling down with committed, straight-faced lunacy. Whether dodging absurd gadgets or interrogating suspects with baffling metaphors, he’s perfection. Pamela Anderson sparkles as Beth Davenport, bringing an unexpected sweetness and comedic timing to every shared screen moment. Paul Walter Hauser’s Ed Hocken Jr. serves up zany, lovable support.

The script, written by Gregor and Mand, smartly ducks the pitfall of tired pop-culture reference. Instead, it mines its humor from timeless sight gags, sharp wordplay, and a cascade of physical comedy that will land differently with every viewer (and on repeat watches). Each setup—whether absurd, cheeky, or delightfully retro—rolls right into the next, with just enough narrative glue to keep you invested in Frank’s madcap murder mystery, and the fate of the world’s most incompetent police squad.

The Naked Gun knows exactly why audiences show up: to laugh, to be surprised, and to see a talented cast throw dignity to the wind for a greater gag. This reboot does just that—eschewing plot pretensions in favor of a densely-packed hour and a half of wit and slapstick. Like its hero’s pale thighs, the movie has nothing to hide. It’s a reminder that, sometimes, being completely ridiculous is the smartest move a comedy can make.

Frank Drebin Jr.: “I’m not saying I’m the world’s worst cop. But nobody’s ever asked me to join a donut rewards program twice.”
Stay alert, keep laughing—and don’t forget to watch The Naked Gun. Justice… and jokes… will be served.

The Fantastic Four: First Steps

Read Time: 4 min

Release Date	25 July 2025 (India)
Director	Matt Shakman
Distributed By	Walt Disney Studios Motion Pictures
Writers	Josh Friedman, Eric Pearson, Jeff Kaplan
Cast	Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach, Julia Garner, Natasha Lyonne, Ralph Ineson
Runtime	1h 55m
Age Rating	U/A
Genre	Action / Sci-fi / Family
Budget	$200+ million (estimated)

Review:

Hold onto your cosmic rays—Marvel’s “The Fantastic Four: First Steps” beams audiences into an exuberant world where action, whimsy, and retro-futurist flair blend seamlessly. Director Matt Shakman (of “WandaVision” renown) takes the reins of Marvel’s legendary quartet and delivers a superhero saga steeped in both spectacle and genuine heart.

From the very first frame, this film tosses viewers into the deep end—no hand-holding, just punchy, brisk storytelling that trusts the audience to catch up. The tale kicks off with Mister Fantastic (Pedro Pascal) and Invisible Woman (Vanessa Kirby) grappling with impending parenthood, only for their family’s peace to be shattered by the cosmic arrival of the Silver Surfer (a compelling Julia Garner). When the planet-devouring Galactus (Ralph Ineson) issues an unthinkable ultimatum, the stakes rocket from personal to planetary.

What sets this Fantastic Four apart from prior iterations is its immersive, detail-rich setting—a delightfully jumbled vision of 1960s New York, where flying cars zoom past Pan Am billboards and robot assistants serve dinner. Every scene bursts with production design details that evoke both retro nostalgia and otherworldly ambition, evoking a dreamlike, comic-perfect vibe.

The real magic lies in the family dynamic. Pascal and Kirby anchor the emotional core as Reed and Sue, their chemistry and anguish instantly believable. Joseph Quinn as Human Torch and Ebon Moss-Bachrach’s Thing provide energy, wit, and classic Marvel humor, their brotherly banter a joy—though sometimes their personalities get sidelined by the film’s relentless pace. The Silver Surfer gleams both as an existential threat and a surprising source of tenderness, while Galactus comes across as a chilling yet oddly thoughtful force of nature.

“The Fantastic Four: First Steps” may move at breakneck pace, but its best moments shine with clever writing, inspired design, and performances that make even cosmic peril feel intimate. If the plot sometimes skips character beats in its rush, it makes up for it with pure visual invention and a genuine sense of fun. Fans, newcomers, and families alike will find plenty to discover in this lively, imaginative Marvel chapter.

Human Torch: “Flame on, team! The universe needs saving—and family means never running from a fight.”
Suit up. Adventure (and popcorn) await!

Smurfs

Read Time: 4 min

Release Date	18 July 2025 (India)
Director	Chris Miller
Distributed By	Paramount Pictures
Writers	Pam Brady, Peyo
Cast	Rihanna, James Corden, Nick Offerman, John Goodman, JP Karliak
Runtime	1h 32m
Age Rating	U (Universal)
Genre	Musical / Comedy / Animation
Budget	$85 million (estimated)

Review:

If you thought the Smurfs had sung their final tune, think again. Directed by Chris Miller and powered by a stellar voice cast, Smurfs (2025) swings open the portal to a fresh whimsical adventure — and this time, they’re not just saving their beloved Papa Smurf… they’re redefining what it means to be a hero. Deeply rooted in identity and friendship, this musical-comedy sparkles with bold animation, charming vocals, and a surprisingly timely message for audiences of all ages. It's more than just a makeover of Peyo's beloved blue beans — it's an evolution.

From its Broadway-style opener to a Tyla-pop dance number inside a Paris nightclub, Smurfs (2025) strikes a playful chord that blends nostalgia with modern flair. Music directors Rihanna and Henry Jackman create a soundscape that mirrors the movie's tone — fun, fast, but sometimes emotionally disjointed. While not all songs are chart-toppers, they do push narrative beats and offer enough earworms to charm young audiences.

We follow No Name (voiced by James Corden), a Smurf without a defining trait, facing a whimsical identity crisis. That’s until he stumbles upon magical powers and becomes the center of a villainous scheme led by the wicked wizard duo — Razamel and Gargamel (both delightfully twisted by JP Karliak). With Papa Smurf (John Goodman) kidnapped, the mission spills into the human world where allies like Ken (Nick Offerman) and the fierce Smurfette (Rihanna) join forces. The adventure is zany, full of colorful detours, cross-dimensional surprises, and heartfelt pep-talks about being more than your label.

Visually, the film shines. A clever blend of high-resolution CGI and throwback art styles pays tribute to the original Smurf comics without ever feeling outdated. Whether they’re navigating an 8-bit world or racing through a crayon-draw dimension, the Smurfs' world is poppin’ — literally and figuratively. Character designs are expressive and quirky, scene transitions are slick, and the climax (worry not, no spoilers) is a visual feast for kids and grown-ups alike.

Still, some moments feel rushed, and a deeper emotional punch is lost in the footrace to introduce new characters or flaunt jokes aimed more at Instagram than integrity. That said, it’s No Name's underdog story, and Smurfette’s growing role as a leader, that add genuine depth and storytelling strength where it counts.

Smurfs (2025) is a dazzlingly animated, feel-good journey that will tickle your funny bones while nudging your heart. It may not redefine the animated musical genre, but its themes of self-worth and teamwork are timeless — wrapped in glitter, giggles, and smurftastically sweet tunes. It’s a must-watch for families, fans of fantasy, and anyone who's ever felt like they couldn’t find their place — because, as this film gloriously proves, everyone’s got a little Smurf magic inside them.

No Name Smurf: "I may not have a name yet, but I’ve got something better — I’ve got purpose!"
Go ahead, sprinkle some blue on your heart. Watch Smurfs (2025)... it’s Smurf-tacular!

Superman (2025) - Movie Review

Read Time: 4 minutes | A Fresh Start for the Man of Steel

RELEASE DATE	11 July 2025
DIRECTOR	James Gunn
DISTRIBUTED BY	Warner Bros. Pictures
WRITERS	James Gunn, Jerry Siegel, Joe Shuster
CAST	David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Nathan Fillion, Isabela Merced
RUNTIME	2h 9m
AGE RATING	PG-13
GENRE	Action / Sci-Fi / Superhero
BUDGET	Estimated $225 million

Review:

James Gunn's Superman (2025) isn’t just a reboot — it’s a rebirth. Balancing heartfelt Americana with modern superhero spectacle, this new chapter in DC’s cinematic universe delivers something rare: a Superman movie that dares to be hopeful, emotional, and relevant, without being weighed down by its own mythology.

David Corenswet steps into the cape with charm and grace, offering a Superman who feels grounded and godlike in equal measure. His Clark Kent is warm, awkward, and sincere, while his Superman is commanding, idealistic, and noble. Alongside him, Rachel Brosnahan brings fire and wit to Lois Lane — their chemistry sparks in every scene, whether debating journalistic ethics or sharing breakfast-for-dinner in a rare quiet moment. And then there’s Nicholas Hoult’s Lex Luthor: a chilling mix of tech mogul charisma and deep-rooted malice, reinvented for the modern era.

What sets Superman apart from the glut of superhero fare is Gunn’s careful character work. Sure, there are battles — spectacularly staged, full of superhuman force and sky-shaking stakes — but the heart of the film lies in Clark’s internal struggle. He’s not just saving the world; he’s figuring out where he belongs in it. This emotional thread is enhanced by quiet, touching moments with Ma and Pa Kent (Pruitt Taylor Vince and Neva Howell), and a surprisingly impactful friendship with his loyal pup, Krypto.

The supporting Justice Gang, including Edi Gathegi’s scene-stealing Mister Terrific, Nathan Fillion’s comic relief Green Lantern, and Isabela Merced as Hawkgirl, bring variety without stealing the spotlight. While a few secondary characters feel a bit thin, they help populate a universe with potential. Gunn wisely avoids retelling Superman’s origin story, instead dropping us into a world where he’s already established — but still evolving.

The film isn't without flaws. Some action sequences echo the MCU’s over-familiar rhythm, and not every joke lands cleanly. But when it clicks — and often it does — Superman soars. The movie delivers the wonder of classic Superman stories with a 21st-century heartbeat, giving both longtime fans and new audiences something to believe in again.

Krypto: "Next time you save the world, remember — it’s walkies first, justice second!"
Don’t miss this flight — Superman is back and better than ever.

Zombies 4: Dawn of the Vampires

Read Time: 4 minutes 

RELEASE DATE	10 July 2025
DIRECTOR	Paul Hoen
DISTRIBUTED BY	Disney+, Disney Channel
WRITERS	Josh A. Cagan, David Light, Joseph Raso
CAST	Milo Manheim, Meg Donnelly, Malachi Barton, Freya Skye
RUNTIME	1h 28m
AGE RATING	TV-G
GENRE	Family / Musical / Fantasy
BUDGET	Estimated $30 million

Review:

With Zombies 4: Dawn of the Vampires, Disney's colorful creatureverse sinks its teeth into the vampire genre — and the results are fang-tastically entertaining. Set after Zed and Addison's first year of college, this road trip musical detour into the battling realms of Sunnyside and Shadyside delivers what fans expect: infectious songs, dazzling choreography, and a heart-shaped stake in the ground for acceptance, identity, and love.

Director Paul Hoen returns to steer this fourth installment with confidence, bringing continuity to the franchise while introducing fresh faces and fanged conflicts. Zed (Milo Manheim) and Addison (Meg Donnelly), now seasoned franchise veterans, land in the middle of a vampire-daywalker feud during a seemingly peaceful summer trip. What follows is a neon-lit mashup of monster mayhem, camp counselor chaos, and classic Disney musical flare.

What shines brightest this time is the music. The soundtrack is arguably the most ambitious of the series, weaving in EDM, punk-rock ballads, and Broadway-style tap routines. Numbers like “Kerosene” and “Possible” push genre boundaries and show off the cast’s vocal range — especially Manheim’s career-best performance as Zed. Donnelly brings both power and tenderness to Addison, making their story still feel central even as new stars begin to rise.

Newcomers Victor (Malachi Barton) and Nova (Freya Skye) step into the spotlight as conflicted monsters from opposing factions, and while their chemistry is still growing, their presence signals a passing of the torch. Some world-building might confuse younger viewers (do vampires drink fruit blood now?), but in true Zombies fashion, the message — unity through music — always shines louder than logic.

Though it plays things safer than previous entries, Zombies 4 stays true to its core: vibrant, weird, and full of heart. For fans of the franchise, it’s another singalong spectacle. For newcomers, it’s a sweet gateway into a world where love breaks boundaries and monsters just want to dance.

Victor: "Sun or shade, fangs or no fangs — if we can vibe to the same beat, we can change the world."
👉 Sink your teeth into this one — it's worth the bite!